pavel sosnovsky composer

He deeply missed Russia and its people while staying in Italy. Kovcheg, Minsk. Historically, the therapeutic hot springs pools of Bagno Vignoni were constructed to alleviate the suffering of the ill. Read critic reviews. The Russian poet Andrei Gorchakov travels through Italy accompanied by his guide and translator as he researches the life of an 18th Century Russian composer, Pavel Sosnovsky. Litvinovsky Music/ASCAP. However, he revisits the pool in Bagno Vignoni, which has been drained out recently, and he tries hard to keep his promise to Domenico. This page was last edited on 22 October 2020, at 06:07. 2014. ATMM 2013 PROCEEDINGS 17 Tarkovsky said, "Our 'nostalghia' is not your . We want to hear what you have to say but need to verify your email. with updates on movies, TV shows, Rotten Tomatoes podcast and more. Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet. With him on his journey is his interpreter Eugenia, and during their endeavors they meet a local outcast and mystic played by longtime Ingmar Bergman collaborator, Erland . * Kovcheg, Minsk. Synopsis:To investigate the life of Russian composer Pavel Sosnovsky, Andrei Gorkachov (Oleg Yankovsky) goes to Italy, where Sosnovsky resided before his suicide.Joining Gorkachov on his journey through Tuscany is his interpreter, Eugenia (Domiziana Giordano), who develops an interest in her client that is more than professional. Much like Tarkovsky himself, the poet sinks into deep nostalgia, alienation, and melancholia, and eventually dies in Italy. The Russian poet Andrei Gorchakov travels through Italy accompanied by his guide and translator as he researches the life of an 18th Century Russian composer, Pavel Sosnovsky. 212-299-7777 Drama. The film Nostalghia tells the story of a poet, Andrei Gorchakov who came to Italy to research the life of the Russian serf composer Pavel Sosnovsky. ISMN 979-0-804500-38-7, "To Gods Mother" for soloists, mixed choir and chamber orchestra. Eugenia asks the priest in the Church Why are women more devout than men? The priest replies A woman is meant to have children and raise them with patience and self-sacrifice. Eugenia asks again Thats all she is meant for? The priest replies I dont know. Tarkovsky holds women on such a high pedestal that in the dream sequences, Andreis wife and Mother Mary get merged into one woman as if all the women in this world are nothing but the replicas of Mother Mary. 2014. 2009. Sign up for the free weekly BSR newsletters, and don't miss a conversation. "Le grand cahier" for string orchestra. Cast: Oleg Jankovsky, Erland Josephson, Domiziana Giordano, Patrizia Terreno. Andrei Gorchakov (Oleg Yankovsky) is a Russian poet, visiting Italy to research the life of 18th Century Russian composer Pavel Sosnovsky, who had lived in Italy for a time, before committing suicide upon his return to Russia. The protagonist Andrey Gorchakov is a Russian poet who is collecting material about Pavel Sosnovsky, an eighteenth-century Russian composer who was exiled to Italy. Kovcheg, Minsk. Tarkovsky was always interested to depict such types of people in his films who look weak from the outside but are utterly charged up inside. He continued teaching and conducting various choirs in Moscow until his death there on March 14, 1944. Gorkachov is escorted round the sites by combustible guide, Eugenia (Domiziana Giordano), and becomes . Andrei befriends an apparently lunatic man named Domenico (Erland Josephson) who locked his family members for seven years in order to save them from the end of this world. He is working in various genres: from chamber, choral, symphonic, stage production music to electroacoustic art. It is both an idealized and an ominous closure, as the muted colors of the Russian landscape now suffuse the Italian streets, tainting them with the pallid hues of unrequited longing-a tenuous reunification of the spiritual schism within Gortchakovs soul. We wont be able to verify your ticket today, but its great to know for the future. Tarkovsky eventually decided upon Oleg Yankovsky, who had appeared in his previous film Mirror. Meanwhile, Gorkachov is beset by powerful feelings of homesickness as he wanders through the ruins of the countryside and meets a doomsaying mystic (Erland Josephson). Verdis Messa da Requiem fades in, overlapping for a brief moment with the woman singing. Kovcheg, Minsk. A Russian man, Andreyi Gorchakov (Oleg Yankovsky), and an Italian woman, Eugenia (Domiziana Giordano), arrive in a rural Italian villa known as the home of Pavel Sosnovsky, an 18th Century Russian . Watch Nostalghia. Its hero is Andrei Gorchakov, a melancholy poet visiting Italy to research the life of Pavel Sosnovsky, an eighteenth-century Russian composer in exile who would commit suicide upon returning home. Friday, August 14, $10, 7:00 They have never been able to completely get rid of the smell of their motherland. Facebook gives people the power to share and makes. His best-known composition, one of the few works he is remembered for today, is Salvation is Created, a Communion hymn based on a Ukrainian chant melody. He repeatedly tries to cross the empty pool with the lighted candle. If you want the world to go forward, we must hold hands. Litvinovsky Music/ASCAP. Kovcheg, Minsk. He was a prominent Trotskyist and member of the left opposition who was executed for his opposition to Joseph Stalin during the Great Purge. We spend a third of our life asleep (and thus dreaming): what is there that is more real than dreams?[10], Tarkovsky spoke of the profound form of nostalgia which he believes is unique to Russians when traveling abroad, comparing it to a disease, "an illness that drains away the strength of the soul, the capacity to work, the pleasure of living", but also, "a profound compassion that binds us not so much with our own privation, our longing, our separation, but rather with the suffering of others, a passionate empathy. Belarusian State University of Informatics and Radioelectronics. Kovcheg, Minsk. Thats enough.. who is in Italy researching a book on eighteenth-century Russian composer Pavel Sosnovsky, and Eugenia, his Italian translator (Domiziana Giordano), have driven to a remote church to look at a fresco of the Madonna of Childbirth. All materials copyright 2021 by Mark Rifkin / This Week in New York, THE INSIDER'S GUIDE TO THE CITY SINCE 2001, ANDREI TARKOVSKY, SCULPTING IN TIME: NOSTALGHIA, this week in lectures, signings, panel discussions, workshops, and Q&As. Society may refer to him as a lunatic, but he emerges as a hero. Cinematographer Guiseppe Lanci plays with lights and shadows in multiple scenes. Domenico gives his candle to Andrei and asks him to cross the pool with the lighted candle. Dreams and memories mingle with the past and the present as birds fly out of a religious statue, Gorchakov sees the reflection of a younger Domenico in a wardrobe left in the street, a white feather floats slowly to the ground, Domenico stands atop a weathered statue of Marcus Aurelius and demands societal change, and Gorchakov wades through a flooded abandoned building where a young girl appears seemingly out of nowhere. 2014. We don't see Andrei doing any research on this subject, however, or on anything . View the profiles of professionals named "Pavel Sosnovsky" on LinkedIn. The scenes wherein Tarkovsky remembers his family members down the hilly Tuscan countryside are shot so beautifully by cinematographer Guiseppe Lanci that they look exactly like a dream. Litvinovsky Music/ASCAP. Back at their hotel Andrei feels displaced and longs to go back to Russia, but unnamed circumstances seem to get in the way. 8.0 (27,580) Russian writer Andrei has come to the Tuscan countryside to research composer Pavel Sosnovsky. 2015. To investigate the life of Russian composer Pavel Sosnovsky, Andrei Gorkachov goes to Italy, where Sosnovsky resided before his suicide. ISMN 9790804500073, "Calypso" for piano and string orchestra. Pavel Sosnovsky Software developer at SaM Solutions Belarus. His education was extensive: his first advanced studies were at the Moscow School of Church Music (he graduated in 1895); he next worked privately with composer Sergey Taneyev and later studied at the Moscow Conservatory (graduating in 1917), where his list of teachers included Mikhail Ippolitov-Ivanov. Meanwhile, Andrei returns to the mineral pool in Bagno Vignoni (Val d'Orcia) to fulfill his promise, only to find that the pool has been drained. Sosnovsky's story within the film is a mirror in which Gorchakov can better perceive his own nostalgia. However, while Kris Kelvin (Solaris) and the Stalker coexist in a metaphysical realm between reality and the subconscious, Gortchakov is profoundly aware of his physical separation from the beloved, distant homeland that consumes his thoughts, and it is his innate longing to find unity within himself that subconsciously guides him. The scene when Andrei closes himself in the hotel room during the heavy downpour is largely covered in shadows. Litvinovsky Music/ASCAP. The Russian writer Andrei Gorchakov travels to Italy to research the life of 18th-century Russian composer Pavel Sosnovsky, who lived there and committed suicide after his return to Russia. Gortchakov has travelled to Italy on an extended research expedition to retrace the emigrant journey of an acclaimed eighteenth century Russian composer named Pavel Sosnovsky who, despite achieving international recognition away from his homeland, eschewed fame and returned to the humble life of a feudal serf, only to sink further into despair and commit suicide. Pavel Chesnokov was arguably the foremost Russian composer of sacred choral works during his time. Nostalghia. In addition, Chesnokov became the choirmaster at Christ the Savior Cathedral. Andrei seems to cut his research short and plans to leave for Russia, until he gets a call from Eugenia, who wishes to say goodbye and tell him that she met Domenico in Rome by chance and that he asked if Andrei has walked across the pool himself as he promised. Litvinovsky Music/ASCAP. Its also about light and dark, as Tarkovsky and cinematographer Giuseppe Lanci explore chiaroscuro effects, often incorporating candles to create mesmerizing glows and elongated shadows while alternating between color, sepia, and black-and-white. Regent Theatre, 551 Mt. Though he's here to research the life and death of the expatriate composerand his countryman from centuries priorPavel Sosnovsky, Andrei finds it difficult to connect to his surroundings. His creativity was being restricted to an unwanted limited boundary. During his travels, he encounter Eugenia, a translator who falls deeply in love with him, and the mysterious ascetic Domenico, who convinces Andrei that there is more to life than simple business . Music of Alexander Litvinovsky was presented at various festivals and . Pavel Chesnokov was arguably the foremost Russian composer of sacred choral works during his time. At this moment, his life is divided and confused, which bars him from spiritual fulfillment. Gorchakov's exile, like Tarkovsky's, is expressed and manifested in a project: the purpose of his trip to Italy is to research the life of Pavel Sosnovsky, an 18th century serf composer whose nostalgia for Russia in Italy drives him to suicide. Litvinovsky Music/ASCAP. A boy untangles his dad's mental illness. Andrei meets and befriends a strange man named Domenico, who is famous in the village for his insistence in trying to walk across a drained mineral spring pool with a lit candle. Verified reviews are considered more trustworthy by fellow moviegoers. Joining Gorkachov on his journey through Tuscany is his interpreter, Eugenia, who develops an interest in her client that is more than professional. (1), From the opening images of Nostalghia (1983), Andrei Tarkovsky presents the two disparate worlds-the spare, monochromatic landscape of the Russian countryside and the lush, idyllic meadows of rural Italy-that collided within the soul of Russian author, Andrei Gortchakov (Oleg Yankovsky). Tap "Sign me up" below to receive our weekly newsletter Back . Alexander Litvinovsky (born in Minsk, May 1, 1962) is a Belarusian composer of contemporary classical music. "A capella I" for mixed choir. 2014. Ironically, by wallowing in his own self-consumed longing and sense of incompletion, his actions become antithetical to his own thoughts on the abolition of frontiers, as he creates artificial barriers to isolate himself from his physical reality. Unable to convince Domenico to grant an interview to Gortchakov, Eugenia leaves in frustration. Read More. However, the priest is not able to answer. It remains unclear if the fumes, his poor heart condition or both impede him. Coming Soon, Regal A boy and his father move illegal immigrants. When he finally achieves his goal, he collapses and dies. Established in Melbourne (Australia) in 1999, Cinema and the Classroom: Education in the Work of Eric Rohmer. Andrei says he has, although that is not true. "[4][11], Tarkovsky's goal in Nostalghia, in terms of style, was to portray the soul, the memory, of Italy, of which it felt to him being there. Kovcheg, Minsk. He wrote around 500 choral works, about 400 of them sacred. Directed by Andrei Tarkovsky. From 1920, Chesnokov headed a choral conducting program at the Moscow Conservatory. Nostalghia is not an exception. madmuseum.org. Alexander Litvinovsky (born in Minsk, May 1, 1962) is a Belarusian composer of contemporary classical music. https://nitroflare.com/view/64431DD934F272C/Andrei_Tarkovsky_-_(1983)_Nostalgia.mkv, Language:Italian, RussianSubtitles:English, Your email address will not be published. One of the most important parts of Nostalghia is Domenicos speech in Rome. But Chesnokov was not just a student during these years: he taught choral conducting in Moscow, served as choirmaster or conductor at several prominent schools and choirs (most notably the Russian Choral Society Choir), and most importantly, composed a spate of sacred choral works, including his most popular, Salvation is Created (1912). Inside the church, Tarkovsky and . [9], Similarly to Tarkovsky's previous films, Nostalghia utilizes long takes, dream sequences, and minimal story. Intetics. To investigate the life of Russian composer Pavel Sosnovsky, Andrei Gorkachov (Oleg Yankovsky) goes to Italy, where Sosnovsky resided before his suici Inside the church, Tarkovsky and Lanci establish one of their key visual motifs for the film, long, slow shots that pan across vertical elements columns here, and trees and poles later, with characters showing up in one part of the shot and then another, impossibly, without the camera cutting away. The film features music by Ludwig van Beethoven, and Giuseppe Verdi (Requiem), as well as Russian folk songs. Kovcheg, Minsk. Meanwhile, Gorkachov is beset by powerful feelings of . Contact. However, he has a significant philosophical awakening as well as consciousness. During a dream-like sequence, Andrei sees himself as Domenico and has visions of his wife, Eugenia and Mary, mother of Jesus as being all one and the same. Each time, he finds new resources, disclosing, in labyrinths of style, unknown sources of inspiration, admiring and being pleased by the magnificence of each detail.[1] (Musical critic Svetlana Beresten), 1978 1982 Minsk State Musical College: Musicologists Diploma, 1982 1987 Belarusian State Academy of Music (Minsk): Composers Diploma (class of Prof. Dmitry Smolsky), 1989 1991 Belarusian State Academy of Music (Minsk): Post-graduate Composer's Degree (class of Prof. Dmitry Smolsky), 1993 Summer Course for Composers (Poland) directed by Krzysztof Penderecki (Poland), Michael Nyman (Great Britan), Louis Andriessen (Holland), Fransois-Bernard Mache (France), 1995 Summer Course for Composers (Poland) directed by Martin Bresnick (USA), Daryl Runswick (Great Britain), Sylvano Bussotti (Italy), Sigune von Osten (Germany), 2000 Acanthes/IRCAM Musical Computing Workshop directed by Jonathan Harvey (Great Britan), Tristan Murail (France) and Martin Matalon (France), 2001 Musical Computing Workshop in the State University of Music and Performing Arts Stuttgart (Germany) directed by Matthias Hermann and Marek Choloniewski, 2001 Electroacoustic Music Studio of the Academy of Music in Krakow, Poland, 2006 Omi International Arts Center, Ghent, NY USA, 2008 Electroacoustic Music Studio of the Academy of Music in Krakow, Poland, 1990 Member of the Belarusian Union of Composers, 2004 Member of the American Society of Composers, Authors and Publishers (ASCAP), 2005 Member of the International Confederation of Electroacoustic Music (ICEM/CIME) in Bourges (Polish section), 1981 "Perpetuum Mobile and Passacaglia" for piano, 1982 "Concertino-Barocco", suite for string orchestra, 1987 "Wedding" ("Wiaselle"), cantata for soloists, mixed choir and symphony orchestra, 1988 "Gathering Saturday" ("Zbornaja Subotka"), cantata for soloists and mixed choir, 1990 "Francisk", mistery for bass and symphony orchestra, 1990 "Zbieg" for flute, oboe, violin, cello and piano, 1991 "Intavolatura", suite for guitar (CD), 1992 "Tabulatura Vilnensis", cycle of pieces for chamber ensemble, 1993 Electronic compositions: "Ra", "Night Bells", "Styx"," Fairy of Tides", "Suspense", 1995 "Gregorianica", missa for male choir, 1996 "Hymnes de Saint-Martin" ("Oculis Et Manibus", "Au Milieu Des Nuages") for mixed choir, 1996 "To Gods Mother" ("Da Maci Bozaj"), cantata for soloists, mixed choir and chamber orchestra (CD), 1997 "Filix", sonata for flute and guitar (CD), 1997 "Heart of Jesus" ("Serca Jezusa"), cantata for mixed choir and chamber orchestra (CD), 1998 "Stabat Mater", cantata for mezzo-soprano and chamber orchestra (CD), 1998 "Songs for Christmas" ("Pesni na Bozaje Naradzennie"), cantata for soloists, mixed choir and symphony orchestra (CD), 1998 "Rondo Ricercari", triptych for flute and guitar (CD), 1999 "Consort Lessons", suite for chamber orchestra (CD), 2001 "Tales of the Magic Tree", cycle of pieces for string orchestra (CD), 2001 "In-Ta-Vo-La-Tu-Ra", electroacoustic performance, 2001 "Ballads of Faron", electroacoustic remix, 2002 "Canzonetta" for tuba (or cello/oboe/bassoon/bass clarinet) and electronics (CD), 2002 "Calypso", concerto for piano and string orchestra (CD), 2003 "Traffic in Open Sun", cycle of pieces for quartets of homogeneous low wind instruments: tubas, trombones, bassoons (CD), 2005 "Raft of Odisseus", concerto for trombone, French horn, trumpet and string orchestra, 2006 "My-O-My", 10 electroacoustic compositions (CD), 2008 "Jazz Graffiti", 12 electroacoustic compositions (CD), 2011 "Wedding", music for the stage production by Witold Gombrowiczs play, 2012 "Dziady", music for the stage production based on a poem by Adam Mickiewicz (CD), 2012 "Oedipus Rex", music for the stage production based on the tragedy of Sophocles, 2013 "Arabian night", music for the stage production by Roland Schimmelpfennigs play, 2013 "Karlsson-on-the-Roof", music for the stage production after Astrid Lindgrens book, 2013 "The Dance of Death", music for the stage production by August Strindberg's play, 2014 "Ribbons on the Corners", music for the stage production by Gregory Oster's play, 2014 "The Golden Key", music for the stage production by Alexej Tolstoj's fairy tale, 2014 "The Wolf and the Seven Little Kids", music for the stage production based on the folk tale, 2014 "The Wolf and the Seven Young Goats, suite for violin and string orchestra, 2015 "Narmahnar", music for the stage production by Mykola Kulish's play "Folk Malahy", 2015 "Le Grand Cahier", music for the stage production after Agota Kristof's novel, 2015 "Le Grand Cahier", suite for string orchestra, 2015 "Puss in Boots", music for the stage production after Charles Perrault's fairy tale, 2015 "Puss in Boots", suite for trumpet and piano, 2015 "The Snow Queen", music for the stage production after Hans Christian Andersen's fairy tale, 2016 "The Lower Depths", music for the stage production by Maxim Gorkys play, 2017 "Small Demon", music for the stage production based on the novel by Fedor Sologub, 2017 "Tale of the Fisherman and the Goldfish", music for the stage production based on the poem by Alexander Pushkin, 2017 "New Land", music for the stage production based on the poem by Yakub Kolas, 2017 "Snow White", music for the stage production based on the fairy tale of the Brothers Grimm, 2018 "My Dads a Birdman", music for the stage production based on the play by David Almond, 2018 "Journey to the Land of Ants", music for the radioshow based on the play by Tatyana Mushinskaya, 2018 "The Adventures of Tom Sawyer", music for the stage production based on the novel by Mark Twain, 2018 "Cherry Orchard", music for the stage production based on the play by Anton Chekhov, 2018 "The Boy Who Swam with Piranhas", music for the stage production based on the play by David Almond, 2018 "Inclusion", music for the documentary film, 2018 "The Great Journey of Prince Nicholas Christopher Radziwill Orphans", music for the documentary film, 2019 "Cherry Orchard", suite for piano and chamber orchestra, 2019 "Pelleas and Melisande", music for the stage production based on the play by Maurice Meterlink, 2019 "Munchausenshow", suite for symphony orchestra, 2020 "My Dad's a Birdman", suite for piano and chamber orchestra, 2020 "Master Cat", suite for trumpet and string orchestra, 2020 "The Adventures of Prantish Vyrvich, a Scalar and a Spy", music for the radioshow based on a novel by Ludmila Rubleuskaya, 1990 Minsk Music Spring, International Festival, Grand Hall of the Belarusian State Philharmonic ("Francisk" performed by Oleg Gordynetz (bass) and the State Academic Symphony Orchestra of Belarus conducted by Victor Dubrovsky), 1991 Concert of New Belarusian Music, Chamber Hall of the Belarusian State Philharmonic ("Intavalotura" performed by Eugeny Gridzuszko (guitar), 1992 Concert of the Belarusian Barocco, Chamber Hall of the Belarusian State Philharmonic ("Tabulatura Vilnensis" performed by "Classic-Vanguard" conducted by Vladimir Bajdov), 1993 International Youth Music Forum in Kiev, Ukraine ("Wir" performed by the Quartet of the French Corns under direction of Ivan Babik), 1994 Concert of the Modern Belarusian Music, Chamber Hall of the Belarusian State Philharmonic ("Ul" performed by "Classic-Vanguard" conducted by Vladimir Bajdov), 1994 International Youth Music Forum in Kiev, Ukraine ("Ul" performed by the String Quintet under direction of Igor Andrievsky), 1994 Recital, Chamber Hall of the Belarusian State Philharmonic (Missa "Gregorianica" performed by "Unia" Male Choir conducted by Cyrill Nosaev), 1995 Choral International Neuchatel, Switzerland ("Wedding" performed by "Grajna" Mixed Choir conducted by Nikolaj Kashuro), 1996 Florilege Vocal De Tours, France (Missa "Gregorianica" performed by "Unia" Male Choir conducted by Cyrill Nosaev), 1997 International Jugend-Festspieltreffen Bayreuth, Germany ("Concertino-Barocco" performed by "Young Belarus" Symphony Orchestra conducted by Michael Kozinetz), 1998 Recital, Chamber Hall of the Belarusian State Philharmonic (Missa "Gregorianica" performed by "Unia" Male Choir conducted by Cyrill Nosaev), "Stabat Mater" performed by Jamilia Amandurdyeva (mezzo-soprano) and Alexander Milto (organ) , "Francisk" performed by Oleg Gordynetz (bass) and Alexander Milto (organ), 1999 Festliche Konzerte zum Neuen Jahr in Zurich, Switzerland ("Concertino-Barocco" performed by the Zurich Chamber Orchestra conducted by Stefan Meier), 1999 Youth Music Days in Druskininkai, Lithuania ("Concertino-Barocco" performed by the St. Kristoforo Chamber Orchestra conducted by Donatas Katkus), 1999 ISCM World Music Days in Bucharest, Romania ("Ul" performed by "Aperto" Ensemble), 2000 Ankara Cokseli Muzik Dernegi, Turkey (Missa "Gregorianica", "Gathering Saturday" performed by the Polozk Chamber Choir conducted by Ludmila Zhukova), 2000 Gaude Mater International Festival of Sacred Music in Czestochowa, Poland (Missa "Gregorianica" performed by "Unia" Male Choir conducted by Cyrill Nosaev), 2000 Minsk-2000, International Piano Contest, obligated National piece ("Perpetuum Mobile and Passacaglia" performed by Alexander Muzykantov (piano), 2000 National Orchestral Contest, obligated piece for wind orchestra ("Taurus" performed by the Wind Orchestra of the Minsk State Musical College conducted by Victor Babarikin), 2000 Recital, Uladzislaw Golubok Hall, State Museum of Theatre and Music Culture ("Perperuum Mobile and Passacaglia", "Faron", "Filix", "Intavolatura"), 2000 International Rostrum of Composers in Amsterdam, Netherlands ("Zbieg"), 2000 Choral International Neuchatel, Switzerland ("Gathering Saturday" performed by "Orienta" Girls Choir conducted by Elena Guliaeva), 2001 March 22, Grand Hall of the Belarusian State Philharmonic ("Consort Lessons" performed by the State Chamber Orchestra of Belarus conducted by Peter Vandilovsky), 2002 February 26, Chamber Concert, XIII Belarusian Composers Forum ("Faron" performed by Alexej Jaskelchik (clarinet), 2002 March 2, Symphony Concert, XIII Belarusian Composers Forum, Grand Hall of the Minsk Philharmonic ("Tales of the Magic Tree" performed by the State Academic Symphony Orchestra of Belarus conducted by Gennady Provatorov), 2004 Minsk Gold Autumn, International Festival, Belarus ("Stabat Mater" performed by Jamilia Amandurdyeva (mezzo-soprano) and the State Chamber Orchestra of Belarus conducted by Peter Vandilovsky), 2004 Minsk Gold Autumn, International Festival, Belarus ("Calypso" performed by Tatiana Starchenko (piano) and the State Chamber Orchestra of Belarus conducted by Peter Vandilovsky), 2005 ISCM Concert, Chamber Hall of the Belarusian State Philharmonic ("Canzonetta" performed by Roman Dokunihin (tuba), 2006 August 12, Music Omi Concert in Ghent, USA ("My-O-My" performed by Carsten Radtke (guitar) and Joseph Daley (tuba), 2006 August 14, Music Omi Concert at the Players Theatre, Manhattan, New York, USA ("My-O-My" performed by Carsten Radtke (guitar) and Joseph Daley (tuba)), 2006 December 3, Orchestra Concert of the Belarusian Composers XIV-th Forum, Chamber Hall of the Belarusian State Philharmonic ("Raft of Odysseus"), 2008 February 28, Intermedia I Concert, Akademia Muzyczna, Krakow, Poland ("My-O-My"), 2008 June 25, Intermedia II Concert, Akademia Muzyczna, Krakow, Poland ("Jazz Graffiti"), 2008 November 24, Concert "Baroque Mood", Grand Hall of the Belarusian State Philharmonic ("Consort Lessons" performed by the State Chamber Orchestra of Belarus conducted by Peter Vandilovsky), 2008 November 27, Audio Art Festival, Akademia Muzyczna, Krakow, Poland ("Jazz Graffiti"), 2008 December 21, Recital, Concert Hall of the Belarusian Composers Union ("Jazz Graffiti"), 2009 October 17, Gaude Polonia Concert, Zamek Ujazdowski Centre of Modern Art, Warszawa ("Jazz Graffiti"), 2010 April 15, Streams International Festival of New Music, Abtei Brauweiler, Cologne, Germany ("Tales of the Magic Tree" performed by the Cologne Chamber Orchestra conducted by Christoph Maria Wagner), 2010 April 16, Streams International Festival of New Music, Abtei Brauweiler, Cologne, Germany ("Canzonetta" for cello & electronics performed by Judith Ermert (cello), 2010 October 4, Symphony Concert in the Studio of BTRC, Minsk ("Tales of the Magic Tree" performed by the Belteleradiocompany symphony orchestra conducted by Erki Pehk), 2010 October 28, Muzyka z Pradem, Akademia Muzyczna, Poznan, Poland ("Jazz Graffiti" performed by Anna Zelinska (violin), 2010 December 23, One Night in December International Festival, Einav Culture Centre, Tel Aviv, Israel ("Jazz Graffiti" performed by Anna Zelinska (violin), 2011 February 13, XIV Lutoslawski Forum, Warsaw Philharmonic, Poland ("Jazz Graffiti" performed by Anna Zelinska (violin), 2011 May 26, Minsk Puppet Theatre ("Wedding" music for the stage production by Witold Gombrowiczs play), 2011 June 26, Forfest Festival, Museum of Kromeriz, Czech Republic ("Jazz Graffiti" performed by Anna Zelinska (violin), 2011 November 16, Minsk Trade Union Palace, Concert of the Male Choir "Unia" conducted by Cyrill Nosaev (Missa "Gregorianica"), 2012 October 27, Minsk Radio Studio ("Winterra" performed by the Belteleradiocompanys orchestra conducted by Erki Pehk), 2012 November 2, Minsk Puppet Theatre ("Dziady" music for the stage production after Adam Mickewiczs poem), 2012 November 25 Minsk Triennale BelExpoArt-2012 (Recital), 2012 November 28, Minsk Philharmonic ("Calypso" performed by Tatiana Starchenko (piano) and the Chamber Ensemble), 2012 November 30, Kurgan Puppet Theatre ("Oedipus the King" music for the stage production by Sophocles's play), 2013 March 13, Janka Kupala National Theatre ("Arabian Night" music for the stage production by Roland Schimmelpfennigs play), 2013 May 1, Cork International Festival, Ireland ("Gathering Saturday" performed by "Salutaris" Chamber Choir conducted by Olga Janum), 2013 July 4, Gdansk, Poland (Missa "Gregorianica" performed by Victor Kisten (organ), 2013 November 8, Habarovsk Puppet Theatre ("The Dance of Death" music for the stage production by August Strindberg's play), 2014 March 8, Ortus The Khorikos International New Music Competition, Concert of the Winners, Church of St. Anthony of Padua in Soho, New York ("Quoniam Tu Solus Sanctus" from missa "Gregorianica" performed by "Khorikos" Chamber Choir conducted by Jesse Peckham), 2014 April 6, Molodechno Puppet Theatre ("Ribbons on the corners" music for the stage production by Gregory Oster's play), 2014 April 26, Minsk Puppet Theatre ("The Golden Key" music for the stage production after Alexej Tolstoj's novel), 2014 December 20, Minsk Puppet Theatre ("The Wolf and the Seven Little Kids" music for the stage production based on the folk tales), 2015 February 15, Perm Puppet Theatre ("Narmahnar" music for the stage production by Mykola Kulish's play "Folk Malahy"), 2015 May 29, Perm Puppet Theater ("Le Grand Cahier" music for the stage production by Agota Kristof's novel), The Golden Mask Award (Russian National Theatre Award) Best Puppetry Production of the Year, 2015 May 29, Minsk Philharmonic ("Canzonetta" for bass clarinet and electronics performed by Alexej Jaskelchik (clarinet), 2015 August 29, Church of the Nativity of the Blessed Virgin Mary, Zaslauje (Missa "Gregorianica" performed by "Concordia" Chamber Choir conducted by Galina Kazimirovskaja), 2015 September 19, Perm Puppet Theatre ("Puss in Boots" music for the stage production after Charles Perrault's fairy tale), 2015 October 4, St. Anne's Church, Warsaw (Missa "Gregorianica" performed by "Concordia" Chamber Choir conducted by Galina Kazimirovskaja), 2015 November 23, Minsk Trade Union Palace ("Tales of the Magic Tree" performed by "Metamorphose" String Orchestra conducted by Pavel Lubomudrov), 2015 December 19, Perm Puppet Theatre ("The Snow Queen" music for the stage production after Hans Christian Andersen's fairy tale), 2015 December 29, Minsk Philharmonic ("The Wolf and the Seven Young Goats" performed by Jasha Shapiro (9 years old) and Belteleradiocompanys orchestra conducted by Andrey Galanov), 2016 March 21, Mogilev Puppet Theatre ("The Lower Depths" music for the stage production by Maxim Gorkys play), 2016 May 7, International Choir and Orchestra Festival, Lloret de Mar on the Costa Brava, Spain (Missa "Gregorianica" performed by "Concordia" Chamber Choir conducted by Galina Kazimirovskaja), 2016 August 27, Minsk, Classics on the Tower Square ("Consort Lessons" performed by "MuzzicDom Orchestra" conducted by Ivan Kostyakhin), 2016 October 19, Belarusian State Academy of Music, Minsk (Suite "Le Grand Cahier" ("Thick Notebook") performed by the Student Chamber Orchestra conducted by Peter Vandilovsky), 2016 November 27, Belarusian State Philharmonic, Minsk (Suite "Le Grand Cahier" ("Thick Notebook") performed by the "Metamorphose" String Orchestra conducted by Pavel Lyubomudrov), 2016 December 24, Belarusian State Puppet Theatre, Minsk (music for the stage production "Christmas Story" based on the novel by Charles Dickens), 2017 March 11, Perm Puppet Theatre ("My name is Lek" music for the stage production based on the story by Andrea Sophie Yannus "Ling"), 2017 March 22, Mogilev Regional Puppet Theatre ("Blue-Blue" music for the stage production based on the story of Vladimir Korotkevich), 2017 April 18, Easter Festival, Belarusian State Academy of Music, Minsk, (Suite "Consort Lessons" performed by the Student Chamber Orchestra conducted by Pyotr Vandilovsky), 2017 April 22, Ulyanovsk Puppet Theatre ("Munchausenshaw" music for the stage production based on the play by Grigory Gorin "The Same Munchausen"), 2017 April 22, Mogilev Puppet Theatre ("Little Red Riding Hood, narrated by the Grimm brothers" music for the stage production based on the fairy tale of the Grimm brothers), 2017 June 2, Krasnoyarsk Puppet Theatre ("The Little Devil" music for the stage production based on the play by Fedor Sologub), 2017 June 4, Bialystok Puppet Theatre, Poland ("The Tale of the Old Man and the Goldfish" music for the stage production based on the poem by Alexander Pushkin), 2017 June 9, Montpellier Choral House, France ("Au mieie des nuages" performed by "Le chur Francis Poulenc" and "Concordia" Choir, conductor Pasqualino Frigo), 2017 June 10, Church of St. Joseph in Castres, France ("Oculis et manibus" performed by "Le chur Francis Poulenc" and "Concordia" Choir, conductor Galina Kazimirovskaya), 2017 June 26, Istra City Drama Theatre ("The Death of Tarelkin" music for the stage production based on the play by Alexander Sukhovo-Kobylin), 2017 June 29, Concert Belarus Poland, 25 years of good neighborliness, Belarusian State Philharmonic Society, Minsk (Suite "Concort Lessons" performed by the State Belarusian Chamber Orchestra conducted by Oleg Lesun), 2017 July 28, Concert at the residence of the World Bank in Belarus ("Concertino-Barocco"), 2017 September 20, Brest Puppet Theatre ("New Land" music for the stage production based on the poem by Yakub Kolas), 2017 September 26, Minsk State College of Music (meeting-presentation of the book by Svetlana Beresten Alexander Litvinovsky profession composer. Presenter: Elena Koleda), 2017 October 31, Belarusian Union of Composers (meeting-presentation of the book by Svetlana Beresten "Alexander Litvinovsky profession: composer".

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